27.6.08

Channeling Tex Avery...


Like any "artist-for-hire" (substitute any proffessional title in the "artist" slot) will know, you aint gettin' what YOU want ALL the time. Case in point, the above illustration, recently completed by myself for a news story about a botched arrest in a public place (which was basically the description I received). The only real details given were, (A) they wanted a man's face pressed against the window of a high society party (B) a little girl was watching was watching from inside.

With those directions, I produced the very crude draft below. Now, I liked this version. There was just something funny and carotoonish about it that I liked. I had never drawn a smushed face on glass before, so there was that.




But things changed. It turns out the little girl was watching from outside, not inside. The planned Illustration I began, no did not work. No problem. I had to move a few things around, change the vantage point, then I could get going.



So then came this version. The boss' liked it, I liked it, and soon it was approved. After a little color, a little more color, a little luck, I had a finished version that looked ok.

But things changed again. The cops face was not well received Nobody liked the mutant pig (as seen below). So with a little more luck and a little more color, the above was completed and finally approved. I still like that big menacing pig head. Might use it somewhere else.


26.6.08

Three Cheers...




Three Cheers to the End of Things, is a new book Im working on that will be available from Lulu (sometime soon). The book itself is a collection of short prose and poetry (of sort) that is put together as a narrative. The book begins in darkness, and details a persons ascent from depression through stages to a sort of maniacal acceptance of the world, which is highlighted by the end of the world.

More than a collection of old "stuff", the book is another chance to create a visual story. Each spread and section travels through the ideas highlighted in the text, backing it up and hopefully helping the reader navigate the "story" much like the central character is. In addition to this, I am finishing up a series of paintings that acts as a visual accompaniment, or further highlight of the stages of the book. The plan is to release the book (as a download and an actual physical book) and a few months later have an art show of the paintings, where people can read the book and see the paintings, thus creating a complete version of the idea. Hopefully this all works out as planned.


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